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The Social History of Smoking

George Latimer Apperson

Chapter 7:

This print is now chiefly of interest because the plate was adorned with a tiny etching by Hogarth, in which appear the figures of the British Lion and Britannia, both with pipes in their mouths, Britannia being seated on a cask of tobacco.

Hogarth was fond of introducing the pipe into his plates. In the tail-piece to his works, which he prepared a few months before his death, and which he called The Bathos, or Manner of Sinking in Sublime Paintings, the end of everything is represented. Time himself, supported against a broken column, is expiring, his scythe falling from his grasp and a long clay pipe breaking in two as it falls from his lips. This was issued in 1764—Hogarth's last published work. In the plate which shows the execution of Thomas Idle, in the "Industry and Idleness" series, Hogarth depicts the little hangman smoking a short pipe as he sits on the top of the gallows, waiting for his victim. The familiar plate of A Modern Midnight Conversation shows a parson in surplice and wig smoking like a furnace while he ladles punch from a bowl—probably meant for a portrait of the notorious Orator Henley. Most of the other guests are also shown smoking long clay pipes.

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The Social History of Smoking

George Latimer Apperson

Chapter 9:

Other men of letters of the time were zealous adherents of the pipe. One of these was the poet Campbell. From 1820 to 1830 he was editor of the New Monthly Magazine, and is reputed to have been so very unbusinesslike in his methods that there was always difficulty in getting proofs corrected and returned in good time. On one occasion, as reported by a member of the firm that printed the magazine, a proof had been lost, and the poet was informed that the article must go to press next day uncorrected. Campbell sent word that he would look in in the morning and correct it. Preparations were duly made to receive him; he was shown into the best room, and left with the proof on his table. After a while he rang the bell, and said, "I could do this much better if I had a pipe." Thereupon pipe and tobacco were procured and taken in to him. Campbell tore open the paper containing the tobacco, and, with a slightly contemptuous expression, exclaimed, "Ugh! C'naster! I'd rather it had been shag!"

Charles Lamb was a heavy pipe-smoker. He smoked too much—regretted it—but continued to smoke, not wisely but too well. "He came home very smoky and drinky last night," says his sister of him.

When sending some books to Coleridge at Keswick in November 1802, Lamb wrote—"If you find the Miltons in certain parts dirtied and soiled with a crumb of right Gloucester, blacked in the candle (my usual supper), or peradventure, a stray ash of tobacco wafted into the crevices, look to that passage more especially: depend upon it, it contains good matter." To Lamb, a book read best over a pipe.

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