Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 3: The accomplished Shift promises a would-be pupil in the art of taking tobacco that if he pleases to be a practitioner, he shall learn in a fortnight to "take it plausibly in any ordinary, theatre, or the Tiltyard, if need be, in the most popular assembly that is." The Tiltyard adjoined Whitehall Palace and was the frequent scene of sports in which Queen Elizabeth took the greatest delight. Here took place, not only tilting properly so called, but rope-walking performances, bear- and bull-baiting, dancing and other diversions which her Majesty held in high favour. Consequently the Tiltyard was constantly the scene of courtly gatherings; and if smoking were permitted on such occasions—as Shift's boasting promises would appear to indicate—then it may be reasonably inferred that Queen Elizabeth did not entertain the objections to the new practice that her successor, King James, set forth with such vehemence in his famous "Counterblaste to Tobacco." There is, however, no positive evidence one way or the other, to show what the attitude of the Virgin Queen towards tobacco really was. A tradition as to her smoking herself on one occasion is referred to in a subsequent chapter—that on "smoking by Women."
From Chapter 5: "Old English 'clays,'" says Mr. T.P. Cooper, "are exceedingly interesting, as most of them are branded with the maker's initials. Monograms and designs were stamped or moulded upon the bowls and on the stems, but more generally upon the spur or flat heel of the pipe. Many pipes display on the heels various forms of lines, hatched and milled, which were perhaps the earliest marks of identification adopted by the pipe-makers. In a careful examination of the monograms we are able to identify the makers of certain pipes found in quantities at various places, by reference to the freeman and burgess rolls and parish registers. During the latter half of the seventeenth century English pipes were presented by colonists in America to the Indians; they subsequently became valuable as objects of barter or part purchase value in exchange for land. In 1677 one hundred and twenty pipes and one hundred Jew's harps were given for a strip of country near Timber Creek, in New Jersey. William Penn, the founder of Pennsylvania, purchased a tract of land, and 300 pipes were included in the articles given in the exchange."
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From Chapter 10: Kingsley's devotion to smoke seems to have surprised Tennyson, who was no light smoker himself. The most curious story illustrating Kingsley's love of tobacco is that told in the life of Archbishop Benson by his son, Mr. A.C. Benson. One day about the year 1860, the future archbishop was walking with the Rector of Eversley in a remote part of the parish, on a common, when Kingsley suddenly said—"I must smoke a pipe," and forthwith went to a furze-bush and felt about in it for a time. Presently he produced a clay churchwarden pipe, "which he lighted, and solemnly smoked as he walked, putting it when he had done into a hole among some tree roots, and telling my father that he had a cache of pipes in several places in the parish to meet the exigencies of a sudden desire for tobacco." If this story did not appear in the life of an archbishop, some scepticism on the part of the reader might be excused.
From Chapter 15:The figure was usually made with a snuff mull in his hand—the highlander being always credited with a great love and a great capacity for snuff-taking. But one curious example was furnished, not only with a mull but with a bat-like implement of unknown use. Mr. Arthur Denman, F.S.A., writing in Notes and Queries, April 17, 1909, said: "I have a very neat little, genuine specimen of the old tobacconist's sign of a 42nd Highlander with his 'mull.' It is 3 ft. 6 in. high, and it differs from those usually met with in that under the left arm is an implement almost exactly like a cricket-bat. This bat has a gilt knob to the handle, and on the shoulder of it are three chevrons in gold, without doubt a sergeant's stripes. On the exposed side of the bat is what would appear to represent a loose strip of wood. This strip is nearly one-third of the width of the instrument, and extends up the middle about two-fifths of the length of the body of it. I can only guess that the bat was, at some time, primarily, an emblem of a sergeant's office, and, secondarily, used for the infliction of chastisement on clumsy or disorderly recruits; and perhaps it was equivalent to the Prügel of German armies, with which sergeants drove lagging warriors into the fray. But is there any record of such an accoutrement as being that of a sergeant in the British army? and what was the purpose of the loose strip, unless it was to cause the blow administered to resound as much as to hurt, as does the wand of Harlequin in a booth."
